Today I’d like to share some pictures from the Ahoy International Doll Show in Rotterdam. These pictures were taken by doll artist Marika Spijkers, who has kindly supplied the names and web addresses of the artists. I’ve selected my favorite pictures from this show, but please check out the longer list at PhotoBucket for even more. The show was full of fairies, mermaids, trolls, dragons, castles and Arabian princesses, but the first prize went to Claudine Roelens‘ Ballet Dancers, pictured above.
Above are two fairy palaces: Dreamworld by Marij Van Der Ham, and Arabian Dreamworld by Annelize Bos, which appears to have working lights. Below are a pair of adorably life-like babies, a fantasy mermaid and her baby by Joyce Kelder, and a charming fairy child by Edith Taylor:
There were lots of nonhumanoid critters at the show, too, including this fiery orange dragon by Joan Coster, a Blue Dragon with lovely fantasy film wings made by Paula Daling, and this hilarious turtle reminiscent of Christie Friesen‘s work by Netty Stege. I love how the shell looks like it’s made of plaid fabric!
Then there were gorgeously-sculpted and delicately posed fairies. From left to right, the first two are by Astrid Mulder; the third one, whose wings I adore, is by Hannie Sarris; and the fourth is by Saskia Hoeboer.
And, last but not least, there seems to have been a challenge relating to Arabian Nights, because there were quite a few belly dancers, Arabian princes and genies, including this fabulously posed sword dancer by Iris Linstra, a well-costumed pair of Arabian ladies, and a charming prince with his princess. Both of the last tableaus were made by Margriet Nijs and are actually sculpted from hard media but painted like cloth dolls.
Okay, this is not a doll artist. She doesn’t claim to be a doll artist and I don’t even claim she is one. But I just got home from the Kansas City Plaza Art Fair, and it was the first time I’d seen Karen Woodward’s work. I laughed out loud at the rollicking personalities exhibited by her little “effigy sculptures” made from “flameworked glass.” (I don’t know the difference between flamework and lampwork, but she seems to also work in argon lights, so maybe the process is similar to that. Maybe someone who reads this will post a comment and explain.) What really heats her work up, though, are the goofy expressions on her effigies and the hilarious titles some of them have, from “Cotton Candy Man” to “The Chicken Thief.”
Her artist statement says that when you view her pieces together, the relationships they seem to develop bring a deeper meaning than their simple entertainment value. This may be true, or it may be what she has to write to be accepted by the “fine art” crowd, which she obviously is, but either way, I wholeheartedly endorse her statement that, “art does not have to be serious to be meaningful.” I hope she’ll decide to exhibit at more Kansas City shows so I can visit her work more often! For now I’ll have to settle for her website at www.karenwoodwardstudios.com.
Well, in anticipation of the Halloween Art Spooktacular show where my doll club will be exhibiting in October, I’ve been madly sculpting Halloween pins. I’m ultimately hoping to have a dozen of each of these varieties, which will earn us some much-needed cash, but I couldn’t resist posting some of them on my Etsy site. So here’s a sampling of what I’ve been up to.